[1] Francois Truffaut. Hitchcock. Helen G. Scott, ed. (New York: Simon and Schuster, 1967), 189.

[2] Roger Perron. "Oedipus Complex." International Dictionary of Psychoanalysis. ed. Alain de Mijolla. Vol. 2. Detroit: Macmillan Reference USA, 2005. 1183-1187. 3 vols. Gale Virtual Reference Library. Thomson Gale. Davidson College. 12 April 2006
<http://find.galegroup.com/gvrl/infomark.do?&contentSet=EBKS&type=retrieve&tabID=T001&prodId=GVRL&docId=CX3435301008&source=gale&userGroupName=nclivedc&version=1.0>.

[3] Jean-Luc Donnet. "Superego." International Dictionary of Psychoanalysis. Ed. Alain de Mijolla. Vol. 3. Detroit: Macmillan Reference USA, 2005. 1690-1692. 3 vols. Gale Virtual Reference Library. Thomson Gale. Davidson College. 12 April 2006
<http://find.galegroup.com/gvrl/infomark.do?&contentSet=EBKS&type=retrieve&tabID=T001&prodId=GVRL&docId=CX3435301438&source=gale&userGroupName=nclivedc&version=1.0>.

[4] Jean-Luc Donnet. "Oedipus Complex." International Dictionary of Psychoanalysis. ed. Alain de Mijolla. Vol. 2. Detroit: Macmillan Reference USA, 2005. 1183-1187. 3 vols. Gale Virtual Reference Library. Thomson Gale. Davidson College. 12 April 2006
<http://find.galegroup.com/gvrl/infomark.do?&contentSet=EBKS&type=retrieve&tabID=T001&prodId=GVRL&docId=CX3435301008&source=gale&userGroupName=nclivedc&version=1.0>.

[5] Raymond Bellour. The Analysis of Film. (Bloomington: University of Indiana Press, 2000), 84.

[6] Francois Truffaut. Hitchcock. Helen G. Scott, ed. (New York: Simon and Schuster, 1967), 195.

[7] Raymond Bellour. The Analysis of Film. (Bloomington: University of Indiana Press, 2000), 99.

[8] Israel J. Katz. “Fandango.” Grove Music Online. Ed. L. Macy. (12 April 2006) <http://www.grovemusic.com>.

[9] Julian Rushton. “Hemiola.” Grove Music Online. Ed. L. Macy. (12 April 2006) <http://www.grovemusic.com.>

[10] Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann. (Berkeley: University of California Press, 2002), 227.

[11] Royal S. Brown. Overtones and Undertones: Reading Film Music. (Berkeley: University of California Press, 1994), 69-70.

[12] Robin Wood. Hitchcock’s Films Revisited. (New York: Columbia University Press, 2002), 136.

[13] Raymond Bellour. The Analysis of Film. (Bloomington: University of Indiana Press, 2000), 99.

[14] Robin Wood. Hitchcock’s Films Revisited. (New York: Columbia University Press, 2002), 131.