 Works Cited
Works Cited
      Brown,
          Royal. “Herrmann, Hitchcock, and the Music of the Irrational.” Cinema	
          Journal	21, 2 (Spring 1982): 14-49. 
      Budapest Symphony Orchestra. "Tristan und Isolde,
        opera, WWV 90 Prelude and Liebestod." Masters of Classical Music,
        Vol. 5: Wagner. Delta, 25 Oct 1990. 
      
          Calabrese, John A. “Romanticism in Alfred Hitchcock’s Vertigo:
          Conflicts and Dark	Reversals.” Lamar Journal of the Humanities 18,
          2 (Fall 1992): 51-65. 
      
  Carroll, Noel. “Toward a Theory of Point-of-View Editing: Communication,
            Emotion,	and the Movies.” Poetics Today 14, 1 (Spring 1993): 123-141.
      
  Chankin, Donald O. “Delusions and Dreams in Hitchcock’s Vertigo.” Hitchcock
              Annual	(1993) 28-40. 
      
  Cooper, David. “Film Form and Musical Form in Bernard Herrmann’s
                Score to Vertigo.” The Journal of Film Music 1 (Fall/Winter 2003):
                239-248. 
      
  Deutalbaum, Marshall. “Logical Dream/Illogical Space: Set Design
                  as Narration a Key	Sequence in Vertigo.” Hitchcock
                  Annual (2002-2003)
                  204-212.
      John, Antony. “’The Moment That I Dreaded and Hoped For’:
                    Ambivalence and Order in	Bernard Herrmann’s Score for Vertigo.” The
          Musical Quarterly 85, 3 (Fall 2001):	516-544. 
      
  Johnson, William. “Coming to Terms with Color.” Film
          Quarterly          20, 1 (Autumn 1966):	2-22. 
      
  Linderman, Deborah. “The Mise-en-Abyme in Hitchcock’s ‘Vertigo.’” Cinema
                        Journal	30, 4 (Summer 1991): 51-74. 
      
  Maxfield, James F. “A Dreamer and His Dream: Another Way of Looking
                          at Hitchcock’s Vertigo.” Film
                          Criticism 14, 3 (1990) 3-13. 
      
  Odabashian, Barbara. “Portrait of an Artist: Hitchcock’s Vertigo.” Hitchcock Annual	(1999-2000): 93-99. 
      
  Poague, Leland. “Engendering Vertigo.” Hitchcock
          Annual (1994):
                              18-54. 
          Sandler, Kevin S. “The Concept of Shame in the Films of Alfred
                              Hitchcock.” Hitchcock	Annual (Fall 1997):
                              137-152.
      
        Royal Scottish National Orchestra. Vertigo: The Original Motion Picture
          Score. Rec. 1995. Varese Records, 12 March 1996. 
      Spoto, Donald. “Vertigo.” The Art of Alfred Hitchcock:
          Fifty Years of His Motion	Pictures. New York: Anchor Books 1992. 263-299. 
      
          Thomas, Paul. Rev. of The Women Who Knew Too
                                  Much: Hitchcock and Feminist Criticism. By
            Tania Modleski.
                                  Film Quarterly          42, 4 (Summer
                                  1989): 40-42.
          Vertigo. Dir. Alfred Hitchcock. Paramount Pictures,
        1958.
      "Tristan and Isolde, prelude-4. " A
          6 CD Set to Accompany Listen: Brief (disc 5). Bedford/St. Martin's,
        14 Aug 2003. 
      Weis, Elizabeth. “Music
          and Murder.” The Silent Scream.
        Fairleigh Dickinson University Press, 1982.
      
  White, Susan. “Allegory and Referentiality: Vertigo and Feminist
                                      Criticism.” MLN 106,	5 (Dec. 1991): 910-932. 
      
  Wood, Robin. “Fear of Spying.” American Film 9, 2 (Nov 1983):
                                        28-35. 
      
  Wood, Robin. “Vertigo.” Hitchcock’s Films Revisited.
                                          New York: Colombia University	Press, 2002. 108-130.