References

Bonitzer, Pascal, “The Skin and the Straw” from Slavoj Zizek, Everything You Wanted to Know about Lacan but Were Afraid to Ask Hitchcock  (New York: Verso, 1992)

Brown, Royal, “Herrmann and Hitchcock: Music of the Irrational,” from Overtones and Undertones: Reading Film Music. (Berkeley, CA: University of California Press, 1994)

Cohen, Paula Marantz, Alfred Hitchcock: The Legacy of Victorianism. (Lexington, KY: University Press of Kentucky, 1995)

Locke, Ralph, “Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images from the Middle East,” 19th Century Music, Vol. 22, No. 1, (Summer 1998) <http://links.jstor.org/sici?sici=0148-2076%28199822%2922%3A1%3C20%3ACACDMA%3E2.0.CO%3B2-L> (15 April 2006)

Nickerson, Michelle, “Women, Domesticity and Post-War Conservatism.” OAH Magazine of History. Vol. 17, no. 2 (2003) <http://www.oah.org/pubs/magazine/conservatism/nickerson.html> (15 April 2006)

Pomerance, Murray, “Storm Clouds, and The Man Who Knew Too Much,” from Davidson Neumeyer, Music and Cinema, (Middletown, CT: Wesleyan University Press, 2000)

Silverman, Kaja, The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema.  (Bloomington, IN: Indiana University Press, 1988)

Spoto, Donald, The Art of Alfred Hitchcock: Fifty Years of his Motion Pictures.  (New York: Random House Publishers, 1992)

Wood, Robin, Hitchcock’s Films Revisited: Revised Edition.  (New York: Columbia University Press, 2002)